Moar Ghosts n whatever

(Source: sketchylynx, via meowsicofthenight)

oldfilmsflicker:

Zodiac, 2007 (dir. David Fincher)

(via ton-tonintechnicolor)

(Source: chatsu1337, via ton-tonintechnicolor)

Hmmm. I have $16 in microsoft points.

I’m pretty excited for the Knife Party EP. It’s already released on Beatport and iTunes. I just want to know when it’ll be on the Zune market place. Supposedly I’ll know by June 4th.

If it’s not on the Zune Marketplace, I guess I’ll just buy From Dust.

princesstomomirainbow:

love-and-other-drugs:

elizatittaylor:

(Source: blackbutshining, via finicky-muse)

gamefreaksnz: Facebook planning to release smartphone by 2013  With the strength of social and mobile games, a Facebook Smartphone could have significant implications for the games market. Well, there goes their stock.

gamefreaksnz:

Facebook planning to release smartphone by 2013 

With the strength of social and mobile games, a Facebook Smartphone could have significant implications for the games market.

Well, there goes their stock.

I’m back.

This time, in Arizona.

Hi.

Hi.

sculpture-center: Phillip Stearns, DCP_0267, 2012. 9” x 6”. Digital C-Print.RECOMMENDED: A Camera Darkly, curated by A. E. Benenson and featuring the work of Phillip Stearns and Christian de Vietri, is currently on view at The Camera Club of New York (336 West 37th Street, Suite 206) through June 23, 2012. The work on display engages early photographic techniques and the genre’s more contemporary forms. Stearns rewires a digital camera’s photosensitive chips to respond to electric pulses instead of light. The resulting images resemble 19th Century light-less entoptic images. De Vietri submits a series of Gustave Doré black and white lithographs to a scanner, which translates the prints into waves of color, suggesting a complex relationship between printmaking and digital production. 

sculpture-center:

Phillip Stearns, DCP_0267, 2012. 9” x 6”. Digital C-Print.

RECOMMENDED: A Camera Darkly, curated by A. E. Benenson and featuring the work of Phillip Stearns and Christian de Vietri, is currently on view at The Camera Club of New York (336 West 37th Street, Suite 206) through June 23, 2012. The work on display engages early photographic techniques and the genre’s more contemporary forms. Stearns rewires a digital camera’s photosensitive chips to respond to electric pulses instead of light. The resulting images resemble 19th Century light-less entoptic images. De Vietri submits a series of Gustave Doré black and white lithographs to a scanner, which translates the prints into waves of color, suggesting a complex relationship between printmaking and digital production. 

I made the picture better

I made the picture better